Stained Glass of Percy Bacon & Brothers
Posted 10 December 2022
The 30th April 1904 edition of the "Fishing Gazette"1 carried an article describing the unveiling of the memorial window and tablet to the English author R. D. Blackmore in Exeter Cathedral. Although it does not go into detail, the article alludes to Blackmore's love of angling, and that the subscribers to the memorial were his fishermen friends. His admirers in America seem to have been instrumental in organising the subscriptions to fund the work under the charge of one Mr Albert H. Whitin, and being so far removed, a delay in the provision of the funds allowed time for Percy Bacon & Brothers to make the generous offer of executing the window at a much reduced price, as a mark of their appreciation of the author.2 This was not the first time the fishing fraternity had raised the capital to fund the installation of a window commemorating one of "their own", and neither was it Percy Bacon's first time in providing his services to that fraternity. In 1895 the Bacon Studio executed the Izaak Walton memorial window in St Dunstan in the West, Fleet Street, London.
The window which is above the west entrance (north side), was of three lights and depicted the standing figures of Jonathan, David and Samson. These were suggested as symbolic of the attributes of the character, John Ridd the hero in R. D. Blackmore's seminal work, "Lorna Doone" - namely, Love and Tenderness, Courage and Strength, though it is not entirely clear who was the originator of the idea.3 Beneath the window a marble tablet (photo above) in high relief by Harry Hems of Exeter was erected. The window and tablet were unveiled by Mr Eden Phillpotts on 26th April 1904.4
On the nights of 3rd - 4th May 1942 a German bomb landed on St James' chapel in the south choir aisle causing considerable damage to the cathedral. All the windows were badly damaged or completely destroyed in the blast.
Repairs to Exeter Cathedral after the war took until 1952. The Blackmore memorial window was eventually replaced by one designed by
and installed by Powell & Sons. This new window depicts the same three main characters as the original, thereby preserving the initial concept. In the tracery are the figures of Lorna Doone and John Ridd, and in the top tracery light a depiction of John Ridd wrestling another man watched by the villagers, perhaps a reference to Chapter 28 of Blackmore's novel. It is unclear whether these tracery themes copy the original Bacon window.
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